Lesson covering concepts of superimposing and how to use it in jazz.

Get that combination and coordination of tapping, hammer-ons and pull-offs flowing nicely with a minimum of stops. It can in addition be usefull for those new to tapping to build up some tapping-finger strength.

Avoid monotony and to come up with new ideas for tapping

Extend your rhythmic ideas over a static chord progression.

We'll work on rhythmic variations with the tapping technique using one and four fingers.

Show some lick that will give a fresh sound to the old and over used pentatonic. Two concept in particular will spice things up: Rhythmic Displacement and Accent Shifting. This lesson will improve: Pentatonic Knowledge, Phrasing, Rhythmic Displacement, Accent Shifting and Sweep Picking.

In Etude No.2 we look at playing polyrhythms within fingerpicking patterns. This is part two in a series of etudes.

As innovative as Jimi was, his style is often a mix between rhythm and solo. This approch is one of his trademarks, and if you want to use your scales as a springboard for rhythmic ideas, this is for you!

Ideas for developing a metal riff.